{"id":15,"date":"2011-06-24T02:37:20","date_gmt":"2011-06-24T02:37:20","guid":{"rendered":"https:\/\/osebnokolektivno.kudmreza.org\/?page_id=15"},"modified":"2011-06-24T02:37:20","modified_gmt":"2011-06-24T02:37:20","slug":"programme","status":"publish","type":"page","link":"https:\/\/osebnokolektivno.kudmreza.org\/?page_id=15","title":{"rendered":"PROGRAMME"},"content":{"rendered":"

Participants of Personal – Collective 2012:<\/strong><\/p>\n

Jean-Luc Guionnet<\/strong>, France
\nDafne Vicente-Sandoval<\/strong>, France
\nNoid<\/strong>, Austria
\nKlaus Filip<\/strong>, Austria
\nTim Blechmann<\/strong>, Austria
\nSamo Kutin<\/strong>, Slovenia
\nNe\u017ea Nagli\u010d<\/strong>, Slovenia
\nMarko Karlov\u010dec<\/strong>, Slovenia
\nPeter \u0160\u00fcklar<\/strong>, Slovenia
\nBo\u0161tjan Simon<\/strong>, Slovenia
\nSeijiro Murayama<\/strong>, Japan, Germany<\/p>\n

Programme:<\/strong><\/span> <\/p>\n


\nWednesday, 5. 9. 2012:<\/strong><\/span>
\n20.00 doors
\n20.30-21.30 solos
\n22.00-23.00 trios
\n23.30-24.30 other things<\/p>\n

Thursday, 6. 9. 2012:<\/strong><\/span>
\n20.00 doors
\n20.30-21.30 duos
\n22.00-23.00 large groups
\n23.30-24.30 other things<\/p>\n

Admission:<\/strong> 5 \u20ac (per day)
\nOrganized by:<\/strong> Kud Mre\u017ea and Menza pri koritu<\/p>\n

\"spacer\"<\/div>\n

<\/p>\n

\"\"<\/div>\n
\"sites_2011\"<\/div>\n

<\/p>\n

Monday, 4th July 2011<\/div>\n

<\/p>\n

19.00<\/div>\n
Kiberpipa<\/div>\n
\n
Eric Cordier (lecture)<\/div>\n
Relationship between tradition and modernity in music (with music samples).<\/div>\n

Eric Cordier has studied fine arts, body-art & music. He began body-art performances\/tape music between 1986 and 1994 under the name of Nadir, with Jean Luc Guionnet and C\u00e9cile Maupoux. As a sound engineer he has collaborated with groups coming from more popular musical genres as well as working at concerts of contemporary classical music and in theatre. Later on he started composing electro-acoustic pieces at his own studio. He plays hurdy-gurdy in various formations: as an improvisator (with Seijiro Murayama, Jean-Luc Gionnet, Dominique Regef \u2026) and as a member of several improv, free-rock or industrial bands: UNACD, Schams, Ph\u00e9romone, Tore, Enkidu. His interest in plastic arts and music is conjugated in sound environment exhibitions.<\/p>\n

Jean-Luc Guionnet & Seijiro Murayama (concert):<\/div>\n
Jean-Luc Guionnet \u2013 saxophone<\/div>\n
Seijiro Murayama \u2013 percussion<\/div>\n

\nJean-Luc Guionnet<\/strong> (France) is an improvisator and a composer of electro-acoustic music. His primary instrument is the saxophone, but he also deals with electronic instrumentation, the harmonium and the church organ. He studied aesthetics at the Sorbonne in Paris and later also tape music at the conservatory in Bologna. His research focuses intensely on the problems of form and reality in time and space, and on the redefinition of the body in interaction with the pure physical environment. He composes music mostly for theatre, dance theatre and experimental film and is a member of the editorial board of Terres des Signes, the paper for Art and Philosophy. <\/p>\n

Seijiro Murayama<\/strong> (Japan\/France) started out as a drummer in rock oriented groups Fushitsusha and Absolut Null Punkt. After visiting New York in the early eighties he became interested in free improvised music in the frame of which he continues to explore sonoric possibilities of the snare drum and cymballs together with the use of contact microphones. Murayama is a leader of the electro-acoustic quartet Off-Cells. He performs most frequently in long-term collaborations or in occasional duets (with Jean-Luc Guionnet, Stephan Rives, Lionel Marchetti, Eric La Casa, Michael Northam, Renato Rinaldi, Axel D\u00f6rner, Robin Hayward, Diego Chamy\u2026)\n<\/div>\n


\n<\/p>\n

22.00<\/div>\n
Menza pri koritu<\/div>\n
\n
Eric Cordier \u2013 hurdy-gurdy (concert)<\/div>\n
Eric Cordier has studied fine arts, body-art & music. He began body-art performances\/tape music between 1986 and 1994 under the name of Nadir, with Jean Luc Guionnet and C\u00e9cile Maupoux. As a sound engineer he has collaborated with groups coming from more popular musical genres as well as working at concerts of contemporary classical music and in theatre. Later on he started composing electro-acoustic pieces at his own studio. He plays hurdy-gurdy in various formations: as an improvisator (with Seijiro Murayama, Jean-Luc Gionnet, Dominique Regef \u2026) and as a member of several improv, free-rock or industrial bands: UNACD, Schams, Ph\u00e9romone, Tore, Enkidu. His interest in plastic arts and music is conjugated in sound environment exhibitions.<\/div>\n<\/div>\n


\n<\/p>\n

Tuesday, 5th July 2011<\/div>\n

<\/p>\n

19.00<\/div>\n
Kiberpipa<\/div>\n
\n
Jean-Luc Guionnet<\/div>\n
Proposition for an inhabited architecture of listening (lecture)<\/div>\n
In this lecture few theoretical tools will be presented. With these tools we should be able to form strategies that would enable us to prevent music becoming representation of itself as soon as it \u201chappens\u201d on the stage; we should be able to prevent music hiding behind representation of itself as music.<\/div>\n

<\/p>\n

Annette Krebs – speakers, objects, electronics<\/div>\n
Compositions for 4-6 live speakers, played in real-time (concert)<\/div>\n
Annette Krebs (Germany) has been developing her independent musical language on the guitar since the early nineties, keeping a strong connection with her earlier experiments in the field of visual arts. In her pieces, she is exploring the aesthetics and tension between tone and noise, action and silence, and the possibilities of a dramaturgic very free and abstract music. Throughout the recent years she is intensifying her research in combining tones and noises with the involvement of language material and concrete levels of meaning, constructed and composed in a way, that leaves all involved parameters appear as musically equal. The musical approach, situated between improvisation, composition and sound art, that she developed during these years as well alone as in collaboration with other musicians, was sometimes named as “Berlin reductionism” or “Echtzeitmusik”. Currently, she works as a soloist, sound artist, improvisor and composer, plays in various duos and ensembles and develops projects, combining performance, video and sound in interactive ways.<\/div>\n<\/div>\n


\n<\/p>\n

21.00-23.00<\/div>\n
Open theatre of SEM<\/div>\n
Performance and solo improvisations.<\/div>\n
\n
Solo improvisation group 1:<\/span> Ryuzo Fukuhara, Franz Hautzinger, Fran\u00e7ois Bidault, Nikos Veliotis, Irena Toma\u017ein (dance)<\/span><\/div>\n

<\/p>\n

Julij Bor\u0161tnik: Festival and its potential (performance)<\/span><\/div>\n
Solo improvisation group 2: <\/span> Ga\u00ebl Leveugle, Toma\u017e Grom, Dimitra Lazaridou Chatzigoga, Paul Wenninger<\/span><\/div>\n<\/div>\n


\n<\/p>\n

23.00-01.00<\/div>\n
Menza pri koritu<\/div>\n
Solo improvisations.<\/div>\n
\n
Solo improvisation group 3:<\/span> Ne\u017ea Nagli\u010d, Slavo Krekovi\u010d, Nhandan Chirco, Jean-Luc Guionnet, Ivan Palacky<\/span><\/div>\n

<\/p>\n

Solo improvisation group 4:<\/span> Danijel Marin\u010di\u010d, Miro T\u00f3th, Marc Perron-Bailly, Annette Krebs, Enrico Malatesta<\/span><\/div>\n<\/div>\n

<\/p>\n

Wednesday, 6th July 2011<\/div>\n

<\/p>\n

19.00-21.30<\/div>\n
Open theatre of SEM<\/div>\n
Improvisations in smaller groups.<\/div>\n
\n
Combinations 1:<\/span><\/div>\n
– Nhandan Chirco, Nikos Veliotis
\n– Fran\u00e7ois Bidault, Jean-Luc Guionnet, Toma\u017e Grom
\n– Ga\u00ebl Leveugle, Enrico Malatesta, Franz Hautzinger,> Dimitra Lazaridou Chatzigoga <\/p>\n<\/div>\n
Combinations 2:<\/span><\/div>\n
– Jean-Luc Guionnet, Annette Krebs, Nikos Veliotis
\n– Ryuzo Fukuhara, Miro T\u00f3th
\n– Dimitra Lazaridou Chatzigoga, Toma\u017e Grom<\/div>\n<\/div>\n


\n<\/p>\n

21.30-23.00<\/div>\n
Menza pri koritu <\/div>\n
Improvisations in smaller groups.<\/div>\n
\n
Combinations 3:<\/span><\/div>\n
– Marc Perron-Bailly, Ivan Palacky, Ne\u017ea Nagli\u010d
\n– Paul Wenninger, Enrico Malatesta, Slavo Krekovi\u010d
\n– Irena Toma\u017ein (dance), Annette Krebs, Danijel Marin\u010di\u010d<\/p>\n<\/div>\n
Combinations 4:<\/span><\/div>\n
– Ne\u017ea Nagli\u010d, Danijel Marin\u010di\u010d, Slavo Krekovi\u010d
\n– Irena Toma\u017ein (voice), Ivan Palacky, Miro T\u00f3th<\/div>\n<\/div>\n


\n<\/p>\n

23.00-00.30<\/div>\n
Menza pri koritu <\/div>\n
Composition of Seijiro Murayama.<\/div>\n
\n
Group 1: <\/span> Ne\u017ea Nagli\u010d, Ryuzo Fukuhara, Paul Wenninger, Ivan Palacky, Franz Hautzinger, Irena Toma\u017ein, Annette Krebs<\/span><\/div>\n

<\/p>\n

Group 2: <\/span> Slavo Krekovi\u010d, Toma\u017e Grom, Ga\u00ebl Leveugle, Danijel Marin\u010di\u010d, Fran\u00e7ois Bidault, Nikos Veliotis<\/span><\/div>\n

<\/p>\n

Group 3: <\/span> Enrico Malatesta, Dimitra Lazaridou Chatzigoga, Nhandan Chirco, Marc Perron-Bailly, Jean-Luc Guionnet, Miro T\u00f3th<\/span><\/div>\n<\/div>\n

<\/p>\n

Festival participants:<\/h2>\n

\nToma\u017e Grom (Slovenia)<\/strong>
\nDouble-bass player Toma\u017e Grom belongs to the musical milieu that draws its expression from acoustic and digitally processed sounds. Playing with the groups Tilt, CPG impro, Grom – Murayama and also as a soloist, he dedicates much time to exploring expanded techniques for playing the contrabass in combination with electronics; he quite deftly steers between free improvisation and predetermined structures. He has created music for numerous theatrical, dance, puppet performances and made appearances at several festivals throughout Europe and Canada. He is also an artistic director of Sploh Institute for art production and publishing based in Ljubljana which engages in music and performing arts production, publishing and education.
\nhttp:\/\/www.myspace.com\/tomazgrom<\/a>
\nhttp:\/\/www.sploh.si<\/a><\/p>\n

\nRyuzo Fukuhara (Slovenia)<\/strong>
\nRyuzo Fukuhara started his carrier as a dancer after attending Butoh workshop led by Semi-maru from the group, Sankaijuku. In the beginning of nineties Fukuhara joined the Butoh group Maijuku directed by one of the leading figures in Butoh, Min Tanaka. Since the year 2000 on he works in Europe, recently residing in Slovenia. In 2011 he produced Do.Not.A.Void tour together with Slovenian dancer\/choreographer Gregor Kamnikar. The tour included a workshop, presentation and dance performance in six Japanese cities.
\nhttp:\/\/www.geocities.jp\/ryuzodance<\/a>
\nhttp:\/\/www.federacija.net\/projekt\/donotavoid<\/a><\/p>\n

\nNikos Veliotis (Greece)<\/strong>
\nAfter a brief involvement in the Athens pop \/ electronic scene during the late eighties Veliotis later devoted himself to the experimental field, working primarily with cello and video. Since the late nineties he involved himself in dealing with sound and image using unorthodox cello techniques, floating long sustained sounds or silences and multilateral abstract visuals, overlays of digital trash and other digital found material. He has extensively performed in international festivals in Asia, Europe and North America.
\nhttp:\/\/www.nikosveliotis.com<\/a><\/p>\n

\nDimitra Lazaridou-Chatzigoga (Greece)<\/strong>
\nAthens based musician Dimitra Lazaridou-Chatzigoga plays the zither since 2006. She treats it as the interior of a piano, extending its sonic possibilities by preparing its strings making use of various objects detached from their usual usage, as well as of electronic media as the e-bow. She is particularly interested in the co-articulation of acoustic and electronic sounds on the resonance box of an instrument. She has a stable formation ap\u2019strophe with Ferran Fages which has released two albums. Currently she is preparing a release of her first solo album Stroke By Stroke.
\nhttp:\/\/www.apstrophe.net<\/a><\/p>\n

\nEric Cordier (France)<\/strong>
\nEric Cordier has studied fine arts, body-art & music. He began body-art performances\/tape music between 1986 and 1994 under the name of Nadir, with Jean Luc Guionnet and C\u00e9cile Maupoux. As a sound engineer he has collaborated with groups coming from more popular musical genres as well as working at concerts of contemporary classical music and in theatre. Later on he started composing electro-acoustic pieces at his own studio. He plays hurdy-gurdy in various formations: as an improvisator (with Seijiro Murayama, Jean-Luc Gionnet, Dominique Regef \u2026) and as a member of several improv, free-rock or industrial bands: UNACD, Schams, Ph\u00e9romone, Tore, Enkidu. His interest in plastic arts and music is conjugated in sound environment exhibitions.
\nhttp:\/\/herbalinternational.blogspot.com\/search\/label\/Eric%20Cordier<\/a><\/p>\n

\nJean-Luc Guionnet (France)<\/strong>
\nJean-Luc Guionnet (France) is an improvisator and a composer of electro-acoustic music. His primary instrument is the saxophone, but he also deals with electronic instrumentation, the harmonium and the church organ. He studied aesthetics at the Sorbonne in Paris and later also tape music at the conservatory in Bologna. His research focuses intensely on the problems of form and reality in time and space, and on the redefinition of the body in interaction with the pure physical environment. He composes music mostly for theatre, dance theatre and experimental film and is a member of the editorial board of Terres des Signes, the paper for art and philosophy.
\nhttp:\/\/www.jeanlucguionnet.eu<\/a>
\nhttp:\/\/www.myspace.com\/jeanlucguionnet<\/a><\/p>\n

\nSeijiro Murayama (Japan\/France)<\/strong>
\nSeijiro Murayama started out as a drummer in rock oriented groups Fushitsusha and Absolut Null Punkt. After visiting New York in the early eighties he became interested in free improvised music in the frame of which he continues to explore sonoric possibilities of the snare drum and cymballs together with the use of contact microphones. Murayama is a leader of the electro-acoustic quartet Off-Cells. He performs most frequently in long-term collaborations or in occasional duets (with Jean-Luc Guionnet, Stephan Rives, Lionel Marchetti, Eric La Casa, Michael Northam, Renato Rinaldi, Axel D\u00f6rner, Robin Hayward, Diego Chamy\u2026)
\nhttp:\/\/seijiro.murayama.name<\/a><\/p>\n

\nAnnette Krebs (Germany)<\/strong>
\nAnnette Krebs has been developing her independent musical language on the guitar since the early nineties, keeping a strong connection with her earlier experiments in the field of visual arts. In her pieces, she is exploring the aesthetics and tension between tone and noise, action and silence, and the possibilities of a dramatic very free and abstract music. Throughout the recent years she is intensifying her research in combining tones and noises with the involvement of language material and concrete levels of meaning, constructed and composed in a way, that leaves all involved parameters appear as musically equal. The musical approach, situated between improvisation, composition and sound art, that she developed during these years as well alone as in collaboration with other musicians, was sometimes named as \u201cBerlin reductionism\u201d or \u201cEchtzeitmusik\u201d. Currently, she works as a soloist, sound artist, improviser and composer, plays in various duos and ensembles and develops projects, combining performance, video and sound in interactive ways.
\nhttp:\/\/www.myspace.com\/sberk1<\/a><\/p>\n

\nNhandan Chirco (Italy)<\/strong>
\nNhandan Chirco is a performing artist working as author, performer and pedagogue among Italy, Croatia and Serbia. Since the late nineties she collaborated frequently with the directors from ex-Yugoslav countries: Serbian director and actor Branko Popovi\u0107, Slovenian theater director Tomi Jane\u017ei\u010d and Croatian drama director Zlatko Sviben. After attending courses of contemporary dance and butoh-dance she developed long-term collaborations in the field of contemporary dance (with Maja Delak, Mala Kline and others). In 2004 she was teaching as a docent in the post-graduate course at the University of Novi Sad, later at Art Academy of Osijek. She is author of numerous performances. In her recent collaborations with musicians from the field of contemporary and electronic music she combines performance with the use of voice.
\nhttp:\/\/www.myspace.com\/nhandanbranko<\/a><\/p>\n

\nEnrico Malatesta (Italy)<\/strong>
\nEnrico Malatesta is a percussionist, active in the field of contemporary, electro-acoustic and improvised music. After studying classical percussion at the Bruno Maderna Conservatory in Cesena, his personal activity and research began to focus on the redefinition of the percussionist role in different contemporary areas, as well as the acoustic dimension and the material quality of percussion instruments. He frequently collaborates with dancers, visual artists and performers. Since 2007 he has been working for the theatre company Teatro Valdoca. Malatesta has collaborated with numerous improvisators and frequently organizes events and concerts with the purpose to improve the diffusion of contemporary music in his area. He performs regularly with his solo projects as well as with the soloist repertoire of the 20th century, including graphic scores by J. Cage, M. Feldman, K. Stockhausen, E. Brown.
\nhttp:\/\/www.myspace.com\/enricomalatesta<\/a><\/p>\n

\nIvan Palacky (Czech Republic)<\/strong>
\nIvan Palacky is a musician and an architect. In the eighties and at the beginning of the nineties he played with various groups and took part in several music projects. At the end of the nineties he founded the group Slede, \u017eive slede (Herring, live herring). Since 2003 he has performed in an audiovisual duo Koberce, zaclony (Carpets, Curtains) together with the VJ Vera Lukasova. He likes to take part in one-shot improvisational groups or duos, as well as playing solo performances. Since 2005 his main interest has been digging out sounds from an amplified Dopleta knitting machine from the seventies.
\nhttp:\/\/www.palacky.org\/koncerty.html<\/a><\/p>\n

\nGa\u00ebl Leveugle (France)<\/strong>
\nGa\u00ebl Leveugle, an actor, director and educator completed his studies at the Jacques Lecoq school for theatre, mime and movement in Paris. He has been active in theatre and film since 1994. Leveugle appeared in multiple theatre performances and wrote the scripts for short films 5h40 (which he also directed) and Le dosseier Satchel (directed by Gautier About). In 2004 he founded the theatre group UN\u2122 with Renaud Chaur\u00e9. Amongst other projects the group also performed the production DACB. He also collaborates with Seijiro Murayama, Jean-Luc Guionnet and Eric La Casa on the experimental music project House.<\/p>\n

\nMarc Perron-Bailly (France)<\/strong>
\nBorn in Grenoble in 1963, Marc Perron-Bailly studied art history and visual arts in Paris. He lives and works in Lyon. During the festival he will be doing live painting simultaneously with musical performances.
\nhttp:\/\/perronbailly.free.fr\/accueil.francais.html<\/a><\/p>\n

\nFran\u00e7ois Bidault (France)<\/strong>
\nFrench Painter from Savoy is comitted to painting as a \u201etotal experience\u201c. Creating his pieces, he often collaborates in multidisciplinary art performances, which is how lately we can find him working with the Japanese percussionist Seijiro Murayama, who invited him to participate in the festival Personal \u2013 collective.<\/p>\n

\nIrena Toma\u017ein (Slovenia)<\/strong>
\nIrena Toma\u017ein is a dancer, performer and singer, mostly working in dance and theater performances. She collaborated with many different choreographers, directors and sound artist, performing in Slovenia as well as abroad in Europe and in Japan. In the last five years she started to work more on voice, creating her own voice performances. With her solo project iT for voice and dictaphones she works on her own experimental voice materials. As iT she has performed in Vienna, Berlin, Bratislava, Mostar, Belgrade (DisPatch), Budapest (UltraHang), Krakow… At the moment she performs also in a duet with Slovene improvisator Marko Karlov\u010dec on saxophone and electronics with whom she released an album That Which Happens Is Itself Dripping Red and in a duet nnit with piano improvisator Ne\u017ea Nagli\u010d.
\nhttp:\/\/www.myspace.com\/torarobit<\/a>
\nhttp:\/\/www.myspace.com\/bastkolektiv<\/a><\/p>\n

\nNe\u017ea Nagli\u010d (Slovenia)<\/strong>
\nNe\u017ea Nagli\u010d is a pianist, who after taking studies in the fields of classical music and jazz focused her interests towards free improvised music. She is comitted to exploration into the sonic possibilities of the piano, which surpass it’s functionality and tempered tuning. Reaching inside the instrument, she manipulates sound from the strings and the body with the use of various objects. She is a long-term member of the experimental music collective Salamandra Salamandra. Beside performing in numerous ad hoc improvising formations, she collaborates with the performer\/vocalist Irena Toma\u017ein in the duo nnit and plays in the prepared piano\/electronic improvising duo saul kripke.<\/p>\n

\n
\nFranz Hautzinger (Austria)<\/strong>
\nUnexpected lip paralysis prematurely ended Franz Hautzinger’s jazz studies at the Graz academy. After a few years break he started exploring sonic possibilities utilising his new limitations and so developed a completely personal style of playing the quarter tone trumpet. His collaborations include numerous leading names of today’s sonic avantgarde. He currently educates in Vienna, composes by commision and is a member of the Berlin based orchestra Zeitkratzer. Meanwhile he travells the world centers of improvised and contemporary music.
\nhttp:\/\/www.franzhautzinger.com<\/a><\/p>\n

\nPaul Wenninger (Austria)<\/strong>
\nPaul Wenninger is a freelance dancer and author of choreographical works. He lived in France in the mid-nineties while working as a dancer taking part in several international productions. Up until 1998 he danced at Cie. Catherine Diverr\u00e8s at the Centre Chor\u00e9graphique National de Rennes et Bretagne, Mathilde Monnier at the Centre Chor\u00e9graphiquie National Montpellier Languedoc and many others. In 1999 he founded Kabinett ad Co. together with Loulou Omer. Kabinett ad Co. is an independent artistic platform which enables artists to carry out projects without a hierarchical structure.
\nhttp:\/\/www.kabinettadco.at<\/a><\/p>\n

\nDaniel Marin\u010di\u010d (Slovenia)<\/strong>
\nAccordionist Daniel Marin\u010di\u010d works in different musical fields. He attended several workshops of the Italian musician Simone Zanchini. Currently he is active as a choirmaster, musical teacher and accordionist in the groups Sport Billy Kr\u0161i Embargo, Saltana and Samsonn. He wrote music for a few dance and theater performances. Recently he is focusing mostly on exploring the sound outside of conventional musical genres.
\nhttp:\/\/www.myspace.com\/sportbillykrsiembargo<\/a><\/p>\n

\nSl\u00e1vo Krekovi\u010d<\/strong>
\nHe splits his official identity into being a cultural producer, musicologist and musician. Member of experimental music projects Shibuya Motors, Voice Over Noise, Frutti di Mare, Musica falsa et ficta, Etnoise Orchestra and others. Organizer and curator of the Next festival of advanced music since 2000, co-founder of cultural centre A4 – Zero Space in 2004. His music is spanning from live plunderphonics to exploration of improvisation and interaction possibilities with both hardware and software devices.
\nhttp:\/\/kraa.sk\/shibuya-motors<\/a>
\nhttp:\/\/voiceovernoise.com<\/a><\/p>\n

\nMiro T\u00f3th<\/strong>
\nComposer, saxophone player, music teorist and fan of SAAB Automobile brand. Founder and artistic leader of ensembles Frutti di Mare, Musica Falsa et Ficta, Dunkeltherapie and member of other experimental music projects (Shibuya Motors, Q30J666222). In his music, he is interested in both composition and improvisation, often crossing borders between the genre and style contexts, ranging from free improv to noise and contemporary classical music.
\nhttp:\/\/kraa.sk\/shibuya-motors<\/a>
\nhttp:\/\/kraa.sk\/frutti-di-mare<\/a>
\nhttp:\/\/kraa.sk\/musica-falsa-et-ficta<\/a><\/p>\n

\nJulij Bor\u0161tnik (Slovenia)<\/strong>
\nJulij Bor\u0161tnik graduated at the Academy of Fine Arts and Design Ljubljana in 2007. He was awarded Pre\u0161eren student award in 2005 and an international Essl Award for artists. After graduating he enrolled in the postgraduate study of philosophy, currently preparing a master’s degree. He is active as an artist and an organiser of artistic events in Metelkova Mesto and Art sredi\u0161\u010de. <\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Participants of Personal – Collective 2012: Jean-Luc Guionnet, France Dafne Vicente-Sandoval, France Noid, Austria Klaus Filip, Austria Tim Blechmann, Austria Samo Kutin, Slovenia Ne\u017ea Nagli\u010d, Slovenia Marko Karlov\u010dec, Slovenia Peter \u0160\u00fcklar, Slovenia Bo\u0161tjan Simon, Slovenia Seijiro Murayama, Japan, Germany Programme: Wednesday, 5. 9. 2012: 20.00 doors 20.30-21.30 solos 22.00-23.00 trios 23.30-24.30 other things Thursday, 6. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/osebnokolektivno.kudmreza.org\/index.php?rest_route=\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/osebnokolektivno.kudmreza.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/osebnokolektivno.kudmreza.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/osebnokolektivno.kudmreza.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/osebnokolektivno.kudmreza.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15"}],"version-history":[{"count":0,"href":"https:\/\/osebnokolektivno.kudmreza.org\/index.php?rest_route=\/wp\/v2\/pages\/15\/revisions"}],"wp:attachment":[{"href":"https:\/\/osebnokolektivno.kudmreza.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}